I Cannot Picard

I’m a huge Star Trek fan from way back. I’ve watched every episode of the original series so many times that you can show me a two-second clip of any show and I can tell you which one it is. I stood in line outside the movie theater in freezing temps to see Star Trek: The Motion Picture, and when I finally got in and the lights went down I loved every long, tedious, boring minute of it (still do).

And I’ve been a fan of Star Trek: The Next Generation from it’s rather uneven first season to its very enjoyable final season. While we were living overseas, my father used to tape our favorite shows and mail them to us, and we would fast-forward through them to binge-watch the episodes of ST:TNG. It was just a silly space opera but those characters grew on us like fast friends.

Which is why I really, really want to love Star Trek Picard, but I have to admit I don’t. I’m so disappointed by how bad it is. It is so bad.

The biggest disappointment is that they took a character I’ve really enjoyed watching through every chapter of his life and they made his final chapters so boring. I can’t get over how boring this series is. The pacing is so slow. It takes forever for any of the characters to say anything or do anything or figure anything out. They seem to struggle with everything. Every scene plods along so slowly that I feel like I want to get behind it and push. These should be compelling stories told in captivating dialogue, and instead they’re repellent and the dialogue is tired and empty. Doing this to a beloved character ought to be a crime.

improbable

We were watching the first episode of “The Last of Us” when my mom texted me. She was housebound because she’d been hit by the same deep freeze that was keeping all us inside, but for her it was worse: she lives in Arkansas where the road maintenance crews don’t go out to salt or sand the roads, so she was stuck at the end of her cul-de-sac, unable to go anywhere. We stayed in just because we didn’t like getting cold.

So she told me about the books she was reading and I told her about the zombie show we were watching. “The funny thing about zombie movies,” I texted her, “is that you have to pretend that everybody in the movie has never seen a zombie movie.”

“I have never seen a zombie movie,” she texted back, “and I hope I never do.”

So I guess it is possible, then, that in a zombie apocalypse there might be one or two people who didn’t realize what was going on. I stand corrected.

your honor

We’re binge-watching the Showtime thriller crime series “Your Honor” and if you haven’t seen it yet stop reading right now because I’m going to spoil it in a big way.

The show stars Bryan Cranston as Michael Desiato, a judge in New Orleans, and Hunter Doohan as Adam, his son. Adam crashes his car into Benjamin Wadsworth playing the part of Rocco Baxter, the son of a crime boss. Don’t get too attached to him, he dies a grisly death in the first episode. When Adam tells Michael what happened, Michael takes Adam downtown with the intention of turning him over to the police, but when Michael learns that his son has killed the son of the crime boss, he slinks out of the precinct unnoticed and the craziness begins.

I was sort of into this show for the first five or six episodes. The first two episodes were about how Michael covered up the crime, how Adam suffered a full-blown crisis of conscience, and the next few episodes were about how the cover-up began to fall apart, but the last episode we watched last night was totally looney toons. To say they lost me is an understatement. In the final scenes, I was rooting for the bad guys, although to be absolutely fair by the end of the episode it was clear that Michael is just as awful as the mob boss he’s hiding from, and Adam is an apple that hasn’t fallen all that far from the tree.

While Adam was unraveling emotionally after killing Rocco, he attended a memorial for Rocco where he met Fia, Rocco’s sister. The next day, Adam “accidentally” ran into Fia in a coffee shop. He’s been stalking her on social media so it doesn’t feel all that accidental. She sat down with him and they began to chat. Adam told Fia his mother had been murdered. Fia told Adam her brother had been murdered. They bonded over their mutually shared anguish and left the cafe to spend the day together. They had good chemistry and looked adorable with each other. It was a really sweet date, or would have been if Adam hadn’t had to keep dodging the fact that he was the monster who ran over Fia’s brother and left him to die.

Later that night as Michael makes a sandwich, he tells Adam the heartwarming story of how me met Adam’s mother. Sorry, not heartwarming. I meant to say psychopathic. These two are psychopaths. Adam killed Rocco. He was spectacularly broken up about it until he started dating Rocco’s sister after e-stalking her. Now his heart is healed and he’s in love. Or something similarly warped. Meanwhile his dad, Michael, has done such a half-assed job of covering up Adam’s involvement in the murder that Rocco’s mob boss of a father is killing off everyone he thinks is responsible. And Michael knows it. But he’s in the kitchen telling his son stories of romance and eternal love. Totally psycho.

So when Rocco’s father, the mob boss, thought he had it figured out that Michael killed Rocco (and Michael let him think that) I wasn’t all that worried that Michael was going to get a bullet in the brain. I knew that wasn’t going to happen, of course, because there were four more episodes to go and the series has been renewed for a second season, so they weren’t going to kill off the star of the show. But I was kind of hoping they would anyway. And a little disappointed that they didn’t. Oh well.

In the two episodes we watched tonight, Adam is still dating Fia and they still look kind of cute together, but still in a really creepy way because Fia keeps mentioning her dead brother and Adam keeps tap-dancing around it by mentioning his dead mother. How does he think this is going to end? Happily ever after? Best-case scenario (for him) she never finds out until he’s telling his own “how I met your mother” story to their kids and it slips out that he ran her brother down in the street. Oopsie.

All that said, Bryan Cranston has gotten pretty good at playing a psychopathic monster. If you liked him in “Breaking Bad” you’ll like him in this. Same character, really.

hudsons

Kate Hudson acquitted herself admirably on Hot Ones. See for yourself:

On a related note: I was today years old when I learned that Kate Hudson’s mother is Goldie Hawn, and her father is Bill Hudson. I, who came of age in the 70s, was not only familiar with Goldie from Rowen & Martin’s Laugh-In, but was also lucky enough to experience The Hudson Brothers Razzle Dazzle Show.

prodigy

Every time I start a new episode of Star Trek Prodigy, that little button in the lower right corner of the screen that says “Skip Intro” pops up and every time I think to myself, “Skip intro? Are you kidding? This is the best part of the show!”

Star Trek Prodigy is a Nickelodeon creation, so it’s written more for kids than adults, but I enjoy it quite a lot even so. I mean, it isn’t any hokier than the original series by a long shot. Together with Star Trek: Lower Decks (both stream on Amazon Prime), it’s one of the two best Star Trek shows in the franchise, if you ask me.

great

And now, some inspirational words from comedian Tom Papa:

“I don’t know why we don’t feel like we’re doing great. You work hard, you do all the stuff you’re supposed to be doing. You’re doing your best and still, you feel like it’s not enough. I think it’s social media. Before social media, I thought I was kicking ass. Now every time I open my phone someone’s in my face. ‘Are you killing it today? Are you living your best life?’ No, I’m not. Because that’s not normal. You know what’s normal? How you feel right now. Right now in your funny little gassy bodies. A little achy, a little tired, light-headed, taking deep breaths so you don’t pass out in front of your friends, worried about your bills, worried about how you’re getting home, worried about that thing you found on your ass. That’s normal.

“And it’s exhausting. And that’s normal, too. Being tired, which I know you are, all the time, that’s normal. You don’t need a five-hour energy drink, you need to lay down once in a while. But we beat ourselves up about it all the time, right? All my friends: ‘I don’t know what’s wrong with me. Two o’clock in the afternoon, every day, I get so tired. What’s wrong with me?’ Nothing. Nothing. You woke up in the dark, went to a job you don’t enjoy, already put in five hours, they gave you twenty minutes for lunch, and now you need a nap. And they won’t let you, so you’ve got to hide in the bathroom stall from your co-workers with your feet up and close your eyes for ten seconds so maybe you’ll get through the god-damned day.

“You’re doing fine.”

Tom Papa’s set “You’re Doing Great!” is on Netflix and it’s well worth one hour of your time.

all the single ladies

All the men: (spit up blood, drop dead)
All the women: The men are all gone! Let’s fight!
—–
President’s aide: Madam President, power plants will start to shut down.
President: Wait, aren’t there some, y’know, skilled women who can run those?
—–
Woman: People are gonna have to pick a side.
Other Woman: Why?
Woman: So we can descend into barbarism and turn the world into a burning hellscape.
Other Woman: Wasn’t that the men’s thing, though? I mean, we don’t have to fill every niche they left, do we?
—–
Woman: You are reproductively interesting.
Last Man: Could you please rephrase that so it doesn’t sound like you’re going to keep me alive just to harvest my sperm?
Woman: I probably should have, yeah. Oopsie. (shoots him with tranquilizer dart)

STTNG rewatch – Remember Me

There’s an episode of Star Trek: The Next Generation where everybody on the Enterprise disappears by ones and twos at first, then dozens and hundreds at a time, until only Doctor Crusher is left. She tries to get Jean-Luc, Will Riker and the rest to help her figure out what’s happening, and they do, at first, but they all have a look in their eye like they think she’s cuckoo bananapants.

Turns out she’s trapped in a warp bubble her son Wesley made accidentally while she was visiting him in the engine room. Wesley was tweaking the warp engines “to increase their efficiency” when there was a flash of light and the warp bubble collapsed. 

“What was that?” Wesley asks Geordi, the chief engineer. “That shouldn’t have happened.” Georgi and Wesley share concerned looks, but the Captain is in a hurry to leave space dock, so they shrug it off. Then Wesley looks around for his mom, who was standing RIGHT THERE a few seconds ago. He has a puzzled look on his face. He wanders away down the corridor, puzzled. It’s puzzling. 

I still love Star Trek TNG, but it will never not bug me that Wesley and Geordi and Doctor Crusher shrug their shoulders when weird shit happens even though every single episode is not only about weird shit happening to them but IT IS ALWAYS SIGNIFICANT. They’ve been tootling around in outer space for years! I would expect them to know better than to shrug it off.

But no. Even thought Geordi and Wesley are totally weirded out by the flash of light, and even though Wesley is clearly concerned that his mother has disappeared, they both still shrug their shoulders and pretend everything’s normal. My warp bubble went poof and my mom disappeared! Oh well, the captain says it’s time to pull out of space dock. Let’s not tell him some weird shit just went down. 

Sorry, I’m being way too hard on them. They must’ve gone to the captain eventually because in Act Three Wesley and Geordi are back in the engine room creating a warp bubble meant to suck Doctor Crusher out of her warp bubble like a Hoover vacuum cleaner, but they can’t quite make it work. But props to them for trying.

Meanwhile, Doctor Crusher has not only figured out she’s in a warp bubble but also that the warp bubble is collapsing and chewing off parts of the Enterprise in the process, so she’s got to get out of it ASAP. She doesn’t know how to do that, maybe because that’s not something they teach in medical school, but she does manage to figure out that Wesley and Geordi are trying to get her out, and she runs down to the engine room and literally dives through the portal into reality at the last possible moment before her warp bubble collapses on her, because nobody in Star Trek ever gets anything done until they’re literally on their last breath.  

It’s not one of my favorite episodes for a couple of reasons. First of all, it’s an episode that  seems to exist only so they can re-introduce a character known mysteriously as The Traveler, an alien of unknown origin who bebops around the universe using the power of his mind. The Traveler tells Wesley in this episode he can do this, too. Wesley doesn’t have much to say about this news which, to be fair, is not a completely unrealistic reaction, given that it’s a lot to process. The Captain, Doctor Crusher, and Geordi likewise seem underwhelmed. ARE YOU KIDDING ME? WESLEY HAS A SUPER-POWER! WHY IS EVERYONE YAWNING? 

Another thing I don’t like about this episode is the way everybody treats Doctor Crusher. They search the Enterprise with all due urgency after she reports the first missing person, but they seem to be humoring her while they’re doing it, and each time she reports more missing people they get progressively more annoyed by her. I hate to sound like a stuck record, but this is a crew which has seen some of the weirdest shit the galaxy can throw at them but, for some reason, they believe her less and less as the episode plays out, instead of more and more. In the end they’re rolling their eyes and sighing every so tiredly when she shows up to report more missing people. 

(This is even more bizarre after The Traveler explains that Doctor Crusher’s alternate reality in the warp bubble is a product of her own thoughts. If that’s true, why does everybody disbelieve her? She doesn’t exactly have any confidence issues when it comes to her standing among the crew. They should all be as driven to figure out what’s going on as she is.) 

And finally, in the opening scene when Wesley is creating the warp bubble that will flash his mom into non-existence, Geordi enters the engine room and barks at him, “Wes, your time for the experiment is over! I want my warp engine back now!” Wes answers, “Almost done, commander,” to which Geordi responds, “Almost isn’t good enough! Do you want to be the one to explain to the captain when he says engage and we just sit here?”

Why is Geordi being such a hardass? If Wesley took the warp engines off-line, I’m pretty sure he had to get the captain’s permission to do it. You don’t just waltz into the engine room and announce, “I’ve got some experiments to run and oh I’ll have to disconnect the main source of propulsion.” (Not to mention power for life support, lights and everything else.) 

I’m also pretty sure that Wesley wasn’t given carte blanche when it came to how much time he got for his experiment. You think the captain said, “Oh, I don’t want to put you under any unnecessary pressure. Just let us know when your experiment’s done. I’ve got all day.” I kind of doubt it went down like that. The only way the captain would’ve let Wesley take the engines off-line was if Wesley was duty-bound to have them back on-line at a certain time. 

And hey Geordi, Wesley works on the bridge, right under the captain’s nose! He’s well aware he’ll wind up in a great big hurt locker if his experiment runs over time and the engines go *fart noise* when the helmsman hits the gas. So lighten up, why don’t you? 

Before wrapping this up, there were these two weird glitches in continuity that nagged at me: 

Doctor Crusher goes to the transporter room to meet her friend. He beams aboard. In the very next scene, dozens of people are walking across a gangway to board the Enterprise. That seems, well, weird. 

In the final act Doctor Crusher is on the bridge, watching a display that shows the warp bubble tearing off chunks of the Enterprise as it collapses. The edge of the warp bubble quickly gobbles up half of the saucer section right before her eyes, including the front of the bridge. Yet somehow she has time to say a few more lines before leaving the bridge, and not in much of a hurry. 

short skirt long racket

“Welcome to Star Fleet!”

“Thanks! I’m really looking forward to boldly going to strange, new worlds and doing lots of science and adventure!”

“You’ll have to wear a uniform.”

“I’m okay with that.”

“Here you go!”

“Where’s the rest of it?”

“What do you mean? That’s it.”

“This is a cocktail dress.”

“That’s the official Star Fleet uniform for women.”

“A cocktail dress?”

“It’s a combination tunic and skirt.”

“This isn’t a skirt, it’s a hand towel.”

“That’s why it comes with a pair of hot pants.”

“So my butt’s not popping out all the time?”

“Exactly!”

“And what do the men wear?”

“Trousers and a pullover.”

“Why not a toga?”

“That wouldn’t be very practical, would it?”

“A cocktail dress is practical?”

“It’s easy to wear. Understated. It doesn’t take up a lot of room in your wardrobe.”

“You’re not selling this as well as you think you are.”

“Look, do you want to be in Star Fleet or don’t you?”

“Fine, whatever. Does it at least come with a wrap or a stole or something to keep me warm?”

“Sorry, no. The captain likes to keep it simple.”

“Wait, which captain? Does this have anything to do with Kirk?”

“As a matter of fact, it does. One of his yeomen came up with it.”

“Well that just figures.”

“What do you mean?”

“It’s kind of an open secret that Captain Behind-Pincher is one of the grabbiest officers in Star Fleet.”

“I don’t think there’s any cause for that kind of talk.”

“Sure you don’t. The horniest captain in Star Fleet isn’t making eye tracks all over your butt.”

thorn birds 6-25-20

Today’s episode of “A Closer Look” starts off with a single copy of “The Thorn Birds:”

A few minutes later, two more books have been added to the stack:

  • “The Thorn Birds 3: Things Be Getting Tornier!”
  • “The Thorn Birds 2: More Thorns”

The stack gets a little higher in the next scene with an all-anagram stack of “The Thorn Birds,” including:

  • “The Borsht Rind”
  • “The Third Borns”
  • “The North Birds”

Then the stack becomes a lollapalooza of goofy free-association versions of “The Thorn Birds:”

  • “The Born Turds”
  • “The Torn Shirts”
  • “The Sworn Words”
  • “The Thin Boards”
  • “The Shorn Brads”
  • “The Corn Nerds”

And finally, the stack turns into a random pile of books we’ve seen in previous episodes, including:

  • “The Thowd in the Bone”
  • “A Blockwork Thornge”
  • “198Thourn”
  • “The Picture of Thornian Bray”
  • “The Thord of the Rings”
  • “Thorntnoy’s Complaint”