Saturday, December 19th, 2015

Spoiler Alert: I watched the ending of The Man In The High Castle last week, and it’s time to unload the various and sundry brain vomit that’s been building up inside me. And grump alert: I thought it could’ve been better.

In the last half-hour of the last episode, Frank wants to know what’s so damn important about these films that Jules is after, so they thread one into a conveniently handy projector (there’s always a projector around when they want to watch a film) and Frank sees himself being lined up with a bunch of Nazi resistance fighters and shot.

Up until this point, it hasn’t been clear whether the films are a record of a reality that had somehow crossed into the alternate timeline where Frank and Jules lived, or they are a propaganda stunt. If they were from another universe, cool. But for nine episodes there was no reason to believe they were anything but a fantasy spliced together in somebody’s garage for the hell of it. Why did we have to wait ten hours to learn that the films were somehow crossing over from our reality into Frank’s?

And what the hell is with Frank, anyway? His mind is blown when he seems himself shot in the film, but just a minute or so later he snaps back to being all mad and mopey about Jules and Joe. Dude! You just saw yourself in another universe! There’s no other plausible explanation! And you got shot! In! Another! UNIVERSE! Your girlfriend and her other boyfriend are not as big a deal as that!

And another thing: The resistance has been devoting practically all their time and effort to getting hold of these films. They don’t know why. They don’t even know what’s on the films. They just know they’re important, so they do everything they can to get them. The Nazi SS in New York is doing the same thing by planting a mole in the resistance to steal the films and pass them along to Hitler, who has a special interest in the films, we’re told. The resistance is getting the films for someone they know only as the man in the high castle, which turns out to be, Guess Who?

So if the resistance has already been maneuvered into getting the films and passing them along to Hitler, then why is the SS trying to take the films away from the resistance in order to give them to Hitler? Seems to me that the first item on the things to do list of the SS commander would be: Make sure nobody stops the resistance from getting those films to Hitler.

Maybe I shouldn’t be so hung up on the films. Maybe they were meant to be nothing more than a McGuffin, but it seems to me that the story doesn’t work that way. The films point the way to an alternate universe. That would make them, and every action related to them, very important. Where am I going wrong here?

film at eleven | 8:58 am CST
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